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REVIEWS
LOWDEN An established all-rounder, the F model
F-35 EBONY & SINKER REDWOOD is built around a 650mm scale length with
a 402mm lower bout, and Lowden has
WORDS MICHAEL WATTS softened the 120mm body depth with a
Kevin Ryan-style forearm bevel. The choice
The pride of Northern Irish guitar-making makes strides into of materials means the guitar is weighty
new sonic territory with an exotic combination of timbers in comparison to rosewood and mahogany
instruments but it’s comfortable on the lap
any describe the past three New for 2020, Lowden is now offering nonetheless. If weight is an issue for you,
decades as a golden age of this fabled fusion of woods on its equally be advised that this guitar comes with a
acoustic-guitar production. fabled 35 Series. The F model is replete with beautifully made custom Ameritage case
M The fruitful period has been AAAA-grade black and white ebony, bound that weighs in at almost 6kg on its own.
characterised not only by the evolution with Tasmanian blackwood and topped off, The neck is standard Lowden too, with its
of the instrument’s quality of timbre literally, with sinker redwood. It’s typically five-piece laminated mahogany, rosewood
and response but by the exploration of understated, with Lowden’s elegant sense and walnut construction topped with gold
alternative tonewoods by luthiers and of line and beautifully applied satin finish Gotoh 510 machine heads. The front and
players alike. lending grace to a wood combination that back of the graceful and sturdy headstock
About 15 years ago, it was frightfully can often be something of a retinal vuvuzela. are overlaid in ebony, as is the guitar’s heel.
fashionable among custom-guitar buyers
to opt for eye-catching woods. This modish
movement may well have been more about Perfect harmony: the
ebony back and sides
looks than anything else but it led luthiers ùŕÝžƇ ùĈÝƍƇĭğƍń ƼġƍŸĭōġ
to explore some unlikely combinations for
back and sides and soundboard materials.
Some of them proved to be sonic dead
ends but, in the hands of skilled luthiers,
the arresting duet of heavily figured ebony
and striped sinker redwood – often bound
in equally exotic cocobolo or snakewood –
revealed an overtone-laden and expressive
voice with an often astonishing capacity
for sustain.
GUITAR MAGAZINE 91