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REVIEWS

















                                                                                                                 KEY FEATURES

                                                                                                                 PRICE £199
                                                                                                                 DESCRIPTION Digital reverb pedal,
                                                                                                                 made in the USA
                                                                                                                 CONTROLS Length, diffuse, dampen, reflect,
                                                                                                                 drag, mix, 9-way rotary mode switch for drag
                                                                                                                 FEATURES Flexi-Switch latching or non-latching
                                                                                                                 footswitch, TRS expression pedal input for drag,
              ¤ĩŕûŀ ƇÝûƇĭûžɔ ƇĩĈ āĭƷƍžĈ                                                                          buffered bypass with switchable trails, powered
              knob changes the spread                                                                            by 9-volt mains supply only (not included)
              of the reverb for extreme                                                                          DIMENSIONS 121 x 64 x 57mm
              žŕƍōāɫžûƍńŴƇĭōġ                                                                                    CONTACT audiodistributiongroup.com,
                                                                                                                 earthquakerdevices.com





                                                                                                             IN USE
                                                                                                             Rather than taking a multi-mode approach,
                                                                                                             the Afterneath gives you one glorious
                                                                                                             sound and lets you tweak it in pretty
                                                                                                             much every direction possible, from softly
                                                                                                             shimmering ambiences to self-oscillating
                                                                                                             drone swells. You could force it to do
                                       Qĭġĩ ŋÝġōĭƇƍāĈɔ Ŵńƍġ                                 ¤ĩÝŀĈ ĭƇ ƍŴɔ ƇĩĈ   ‘normal’ reverbs, sure, but that would be
                                       ĭō Ýō ĈƩŴŸĈžžĭŕō ŴĈāÝń                             ōĭōĈɫŴŕžĭƇĭŕō ŋŕāĈ   rather like signing Mo Salah and using him
                                           to maximise the                                switch is the key to
                                        ğƇĈŸōĈÝƇĩɶž ŴŕƇĈōƇĭÝń                           ƍōńŕûŀĭōġ žŕōĭû ûĩÝŕž  as a ballboy.
                                                                                                               There’s a generous pre-delay before
                                                                                                             the reverb swooshes in with a lushness and
            EARTHQUAKER DEVICES                                                                              clarity for creating textural washes that
            AFTERNEATH V3                                                                                    leave ample room for layering melodies


                                                                                                             over the top. Background hiss can be
            WORDS RICHARD PURVIS                                                                             intrusive with the wet mix past halfway
                                                                                                             but you probably won’t need to run it that

            The third version of this powerful little ambient soundscape generator                           high anyway.
            adds a couple of interesting new features to the reverberating mix                                 And then, an expression pedal turns up.
                                                                                                             With settings on the low side, what you’ll
                                                                                                             hear when you flex your ankle is a peculiar
                    e warned: throughout this review,        EarthQuaker makes no secret of the fact         pitch-shifting noise in the background.
                    you’ll come across such slippery         that these space-age sounds are made up of      With the reverb more prominent, this
                    adjectives as ‘ethereal’, ‘celestial’    lots of delays blended together, and if you     effect becomes downright disorientating.
           B and ‘otherworldly’. You’ll also                 set the diffuse control low, you’ll actually    Three of the nine modes offer a continuous
            read terms such as ‘woozy’, ‘glitchy’ and        hear the repeats tumbling over each other       note sweep, while the other six break it up
            ‘arpeggiated’. As you’ve probably guessed        like a multi-head tape echo.                    into discrete notes at various intervals; this
            already, version three of the EarthQuaker          The other controls cover more familiar        can sound like a bleepy synth arpeggiator
            Devices Afterneath can do much more              territory: length governs the decay time,       or like a dog chewing enthusiastically
            than simply immerse your guitar tone in          dampen is treble filtering, reflect is density,   on a DigiTech Whammy. Either way, it’s
            dreamy digital reverb.                           drag is delay time, and mix does exactly what   definitely unconventional.
               The Afterneath has been around for            it says on the tin. That should be everything     How frequently will people use these
            five years now, and its place in the modern      you need to get otherworldly, ethereal and      oddball effects? Not very. But it’s great to
            pantheon of trippy reverb pedals is secure,      celestial. Well, we did warn you.               have them, all the same. Consider them an
            but this latest version isn’t content with         But here’s the new bit. With most delay       exotic side dish to a reverb casserole that
            pure atmospherics. The inclusion of a            pedals, if you change the time setting while    remains as tasty as it’s ever been.
            rotary mode switch – plus an input for an        playing, you also change the pitch of the
            external expression pedal – allows the unit      repeats – and remember, this reverb pedal               Top soundscaping potential with some
            to create dynamic effects capable of jolting     is really a delay in disguise. So it lets you use   8/10  synth tricks thrown in – as long as you
            listeners out of the blissed-out hypnosis        a standard expression pedal to adjust the               have an expression pedal
            you’ve put them under like a steel toe-cap       drag control in mid-flight, while the mode
            to the shin.                                     switch changes the way the pitch moves up       LIKE THIS? TRY THESE…
               Firstly though, let’s go through the basics.   and down as you do so. Strap yourself in –     Old Blood Noise Endeavors Dark Star £199,
            This is still a reverb pedal – except it isn’t.   this could get weird.                          Caroline Meteore £199, KMA Machines Cirrus £169


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