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guitars aren’t made by some dude on a mountain              Running standard bodies for friends’ projects segued
                                         top, a gift from the heavens that only a chosen few       into building ground-up Firebird copies, which paved
                                         could create – it’s wood, metal and strings, you          the way for Kauer’s first original design: the Daylighter.
                                         know? Almost anybody can learn to do it. It’s               “I designed the Daylighter as a Jazzmaster meets
                                         not some mythical art.”                                   Les Paul mash-up,” he says. “Two humbuckers, Gibson
                                                                                                   scale, set neck, that kind of thing. It just happened
                                         BAND OF BROTHERS                                          to be right place, right time. People started bumping

                                         The truth is, Kauer never intended to get into guitar     me for them. I was like, ‘I don’t know if this is what
                                         making at all. He used the resources in his dad’s         I want to do. I don’t know if I want to ruin another
                                         wood shop to make one, then another, and another,         hobby of mine’, which I had done once before and
                                         learning from his mistakes and improving upon the         was apprehensive about doing again. But people
                                         last. When the recession hit in 2008, however, just six   started asking and there wasn’t a lot else to do.
                                         months after he and his wife Theresa had bought a           “It sounds like such a terrible way to get into it! I
                                         house, Kauer went back to work full time at his dad’s     started getting more serious and that’s when I found
                                         shop, while Theresa pressed forward with her own          out there was a boutique industry. I went to NAMM
                                         teaching qualification. As cabinetry work slowed in       and a friend told me I should go and introduce myself
                                         the trough of the recession, guitar making stepped in     to Nik Huber and Juha Ruokangas. I talked to Nik on
                                         as a means of filling the downtime and bringing some      the first day and I remember thinking, ‘Those things
                                         surplus income.                                           cost four grand and they’re all sold on the first day’.


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